Monday, April 18, 2011


The Revolution has begun...

The year was 1920 and quite by accident John Fargginay, a Parisian butcher discovered the ability to dramatically elevate his customers' mood with a secret recipe blending 11 popular pure essential oils with the essence of...bacon. As the story goes, film stars & heads of state would frequent his shop to procure the magical elixir. With a wink of the eye and the secret code, "fargginay," customers would be slipped a discreet pouch containing the formula said to trigger pleasant memories. After a massive fire on July 4, 1924, the business was lost and so was the formula…Until now. Ladies & gentlemen, behold, bacōn fragrances, by fargginay. The time has come to uncover a new level of awesome.

The Story

A person's sense of smell is intricately linked to human memory, profoundly influencing people's ability to recall past experiences. As the youngest of 8 kids, one of my most vivid memories as a child is waking up to the smell of my mother cooking bacon. That aroma was the one thing that could get me out of bed like the house was on fire. In our journey to recreate John Fargginay's legendary elixir, we engaged hundreds of people seeking feedback on what bacon meant to them. Our findings were staggering. Every person who consumed bacon associated some fantastically positive memory to it. The most common being, "Bacon reminds me of home." When I learned of the legend of John Fargginay, I knew it was time to seek out and uncover this magical elixir and modernize it for the 21st century. In memory to John, we bring to you…bacōn fragrances, by fargginay. Unquestionably, “scent by the gods”.
bacōn Classic is designed for men and women. A common question, does this fragrance really smell like bacon? The answer is yes & no. Our Classic formula is a sophisticated spicy maple fragrance with just a hint of bacon and the fun… is in finding it. This artisanal Classic formula is lovingly crafted with the pure essential oil blend of bergamot, orange, lime, grapefruit, black pepper, cedar wood, vetiver, guaiacwood and two pinches of Bacon salty goodness. What on earth could you be waiting for?

check: http://www.fargginay.com/

Monday, June 15, 2009

Think Different (Apple)

Here’s to the crazy ones.
The misfits.
The rebels.
The troublemakers.
The round pegs in the square holes.
The ones who see things differently.

They’re not fond of rules
And they have no respect for the status quo.
You can praise them, disagree with them, quote them,
disbelieve them, glorify or vilify them.
About the only thing that you can’t do is ignore them.
Because they change things.

They invent. They imagine. They heal.
They explore. They create. They inspire.

They push the human race forward.
Maybe they have to be crazy.
How else can you stare at an empty canvas and see a work of art?
Or sit in silence and hear a song that’s never been written?
Or gaze at a red planet and see a laboratory on wheels?
We make tools for these kinds of people.
While some may see them as the crazy ones, we see genius.
Because the ones who are crazy enough to think that they can
change the world, are the ones who do.

Wednesday, June 10, 2009

Project Natal Xbox 360


"This is a pivotal moment that will carry with it a wave of change, the ripples of which will reach far beyond video games"

STEVEN SPIELBERG

Be patient...(the link is slow to download due to big amount of clicks visiting the site)

Monday, June 1, 2009

Don’t Kill The Messenger, Promote Him

What Corporate Marketers Can Learn About Brand Management From The US Government

On a recent trip to the Middle East, I was completely surprised by what I learned about America’s image on the Arab street. Contrary to what I had seen and read in the news, there was nothing wrong with how America is perceived in the Middle East. America’s brand, as it were, is clear and strong. That’s not to say that there isn’t confusion, frustration and sometimes anger towards the United States, there most certainly is. But so many of those negative feelings have nothing to do with Arabs’ perceptions or misperception of America’s brand. They are, in fact, firmly rooted in how America has managed Arab expectations, expectations set by America itself.

My trip took me to Oman. A moderate Arab state just below Saudi Arabia and the United Arab Emirates (UAE). Slightly smaller than Kansas, the western friendly Sultanate of Oman is still a monarchy and has been ruled by Sultan Qaboos bin Said Al Said since 1970. My weeklong trip coincided with the holy month of Ramadan. Like much of the Middle East, it is law to follow the rules of Ramadan. This includes no eating or drinking during the day for the whole month, no matter how hot it gets. The rules do not apply to foreigners, but out of respect we did not eat or drink in public view during the day. Though I spent most of my time in the capital, Muscat, I did take a day trip out of the city to see more of the country. More importantly, I met with and talked to many people: Omanis, expatriates (there is a large Indian population in Oman), and Americans who are posted there with the military or State Department.

In the US, much fuss has been made of America’s image – its “brand”— in the Middle East. In October, 2001, the Bush administration appointed former CEO of advertising agencies Ogilvy & Mather and J. Walter Thompson, Charlotte Beers, as the Under Secretary of State for Public Diplomacy and Public Affairs, essentially America’s global brand manager. Ms. Beers set out to “build” America’s brand in the Middle East with a $5 million advertising campaign to run on television in the Middle East and Asia. The “Shared Values Initiative” depicted Arab-Americans to demonstrate to the world’s Muslims that America is not anti-Islam. Governments, including Egypt and Jordan, refused to run the campaign on the grounds that is was American political propaganda and Ms. Beers resigned shortly after citing “health reasons.”

The global brand manager job has since been handed to Karen Hughes, George W. Bush’s former Director of Communications while he was Texas governor. Ms. Hughes has been traveling the Muslim world with her message of American tolerance and opportunity. Her efforts, as of yet, have seen little significant impact.

The Arab street, like most of the world, have a very clear image of what America represents. And with that clear image, they have certain expectations of the world’s wealthiest nation and last remaining superpower (facts they freely accept). They know that America is an open society filled with opportunity, some of them even fantasize about the American Dream. They also know that America operates with a high regard for the rule of law. All of these things are accurate depictions of America’s brand successfully communicated by years of American policy and Presidential speeches. Charlotte Beers and Karen Hughes have been trying to tell Muslims things they already know. What America’s brand mangers have failed to do is effectively bring those expectations to life.

The Messenger Matters As Much As the Message

Arabs mistrust anything the US government tells them. But this is not anti-American sentiment. Arabs, I learned, mistrust messages from all governments, including their own. When diplomats show up and give speeches about the opportunities in America and how America wants to help the Arab peoples, no matter how right and accurate the information, it will always be greeted with cynicism...the same cynicism with which they greet comments on reform from their own leaders. A story was relayed to me about a speech a US diplomat gave to a room of parents and students about opportunities available for education in the US. He ran through all the benefits of the program, but the parents remained reluctant to send their children abroad. By chance, a member of the audience, an Arab woman, stood up and explained how she had been to America and raved about her experience. Not until the parents heard this personal endorsement did they want to send their children to America.

It’s no different in business. Consumers are more likely to buy a Ford automobile based on a recommendation from a neighbor rather from Bill Ford, Ford’s CEO and multimillionaire great-grandson of Henry Ford (Bill Ford is currently featured in Ford’s latest ad campaign telling consumers what good quality cars Ford makes).

The Experience Matters. So Create Opportunities For Experiences

No number of ad campaigns or diplomatic speeches can change minds on the Arab Street as effectively as one personal recommendation from another Arab. I was surprised, then, to learn that there are few, if any, programs to bring average Arabs over to America to experience it for themselves. Some I talked to in Oman lamented the $5 million that Charlotte Beers spent on an advertising campaign that could have funded a exchange program instead. Curious if it would work, I asked others I met and learned that there was one such independent program done as an experiment. An Omani factory worker, an average Joe, was invited to visit America at no expense to him. The worker, as I was told, was not particularly fond of America, but he was open-minded. He was taken to rural America, to cities, to the East coast and West coast and upon his return, he raved to fellow factory workers of his American experience. He reported back that there were churches everywhere, proving that America was not the Godless society they thought it was. He also reported that he was not treated any differently because he was a Muslim. He was welcomed with open-arms wherever he went. Because of his real experience, this one man was influencing the opinions of an entire factory.

It became obvious from my experience that America’s brand managers need to find creative ways for the average Arab to experience America – whether they create more exchange programs or do things in the Middle East that bring to life the expectations Arabs have for America.

As for the lessons for corporate America, if the Arab Street is any indication, no matter how poorly your company is perceived and no matter what the misperceptions, no level of marketing spending can create the instant effect of one credible personal recommendation. The challenge for corporations is how to effectively and efficiently inspire those personal recommendations to happen.

Saudi ads for diet drink


Saudi ads beg mercy for maids

A series of public service commercials is to urge the kinder treatment of domestic helpers in Saudi Arabia.

Arab satellite stations will air the ads after the expected end of Ramadan on October 12, news agency AFP reports.

Founder and chief creative director of Full Stop Advertising, Kaswara Al Khatib, told AFP commercials were originally planned for the holy month, however “people tend to be nice in Ramadan anyway, and we need to be nice to them (domestic staff) beyond Ramadan”.

Broadcast was also delayed out of concern that the message would be lost among the huge number of commercials aired during Ramadan, Al Khatib said.

The three commercials were created at a cost of $100,000, and financed by a non-profit subsidiary of the Saudi Binladin Group, launched by the father of Osama bin Laden.

One shows a maid and driver being abused by their Saudi employer, with the strapline “He who has no mercy will not receive mercy” taken from the Hadeeth, or sayings of the Prophet Mohammed.

A second ad shows a hostess at a dinner party telling her maid to “get out of my sight” while a third portrays a housewife ordering her maid “not to sleep until the house is spotless.”

Abuse of foreign workers in Saudi Arabia has been slammed by human rights groups, with the withholding of salaries and passports, physical assault and sexual abuse all recently reported in local press.

A Sri Lankan maid was rescued by the police last month after telephoning Arab News to report she had endured seven years of unpaid employment during which she had been imprisoned and abused.

Thursday, May 28, 2009

1,000 special art pieces to grace Burj Dubai

Pride of place in the iconic structure’s residential lobby will be an artwork featuring 196 bronze and brass alloy cymbals - representing the 196 countries of the world - suspended on titanium rods anchored at the bottom of two pools.

Visitors to the lobby will be able to hear a distinct timbre as the cymbals, which are plated with 18-carat gold, are struck by dripping water, intended to mimic the sound of water falling on leaves, Emaar said in a statement.

Emaar chairman Mohamed Alabbar handpicked ‘World Voices’, which was created by internationally-renowned Spanish artist Jaume Plensa to symbolise reeds in a lake.

The year-long selection process was led by the building’s US-based architect Skidmore, Owings & Merrill LLP (SOM), which approached international and Middle East artists to submit concepts for the centerpiece of the lobby more than a year ago. Plensa’s winning design was chosen from a shortlist of five.

“Art is central to the Burj Dubai project, not only as a visual statement but as a means to link cultures and communities,” said Alabbar. “Thousands of people from around the world have collaborated to achieve an iconic landmark, the world’s tallest building.”

The 1,000 art pieces will include a wide range of contemporary artists as well as museum-standard historic art recognising the Gulf’s unique heritage, said George Efstathiou, the managing partner for SOM leading the Burj Dubai team.

‘World Voices’ is Plensa’s largest permanent indoor installation and his first permanent commission in the Middle East.

Among his most famous works is the ‘Crown Fountain’ in Chicago, which comprises two 16-metre high towers, glass, stainless steel, LED screens, light, wood, granite and water.

He has also completed ‘Breathing’, a monument to fallen journalists at the BBC headquarters in London.

Standing at over 800 metres tall, Burj Dubai is at the centre of Downtown Burj Dubai, a 500-acre mega project Emaar is creating in the heart of Dubai. It is scheduled to open in September.